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Lorella Paleni

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ArtEvol 2026 at Saatchi Gallery London

September 25, 2026

London · Saatchi Gallery

I’m very happy to share that my work has been selected for ArtEvol 2026: A View From Everywhere, opening next week at Saatchi Gallery in London.

Organised by London Art Collective and curated by Nelson Qin, the exhibition brings together artists exploring different ways of seeing and experiencing the world.

The title A View From Everywhere particularly resonates with my own practice, which often considers the instability of perspective — and the space between human and animal, figure and landscape, self and other.

ArtEvol 2026: A View From Everywhere
Saatchi Gallery — Gallery 3, Ground Floor


Duke of York’s HQ, King’s Road
London SW3 4RY

3–11 October 2026
10am–6pm daily 

Tags Saatchi gallery, london, Artevol 2026, London Art Collective
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In 1872, an anonymous author writing under the name “An Earnest Englishwoman” published an open letter titled ‘Are Women Animals?’ It was a witty argument against the treatment and status of women in Victorian society, where w
Seekers 9, Oil on canvas, 80 x 80 cm
“Should we not learn the lesson that, for example, the woods, which poets praise as the human being’s loveliest abode, is hardly grasped in its true meaning if we relate it only to ourselves?”

Jakob von Uexküll - A foray into
I don’t know which animals are capable of resentment (I know crows may be, although in reality much of animals’ inner lives remains inaccessible because of the limits of human knowledge), but I wonder how many people are able to look an a
“What were the secrets of the animal’s likeness with, and unlikeness from man? The secrets whose existence man recognized as soon as he intercepted an animal’s look.”

John Berger - why look at animals?

Inks on synthetic silk
In 1872, an anonymous author writing under the name “An Earnest Englishwoman” published an open letter titled ‘Are Women Animals?’ It was a witty argument against the treatment and status of women in Victorian society, where w Seekers 9, Oil on canvas, 80 x 80 cm “Should we not learn the lesson that, for example, the woods, which poets praise as the human being’s loveliest abode, is hardly grasped in its true meaning if we relate it only to ourselves?”

Jakob von Uexküll - A foray into I don’t know which animals are capable of resentment (I know crows may be, although in reality much of animals’ inner lives remains inaccessible because of the limits of human knowledge), but I wonder how many people are able to look an a “What were the secrets of the animal’s likeness with, and unlikeness from man? The secrets whose existence man recognized as soon as he intercepted an animal’s look.”

John Berger - why look at animals?

Inks on synthetic silk

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