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Lorella Paleni

  • /
  • Selected Works
  • Animations
  • Install view
  • CV
  • Texts
  • News
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The World That Remains

November 18, 2025

The World That Remains

A Group Exhibition

Curated by Firelei Báez

Left Bank Gallery, Bay St., Brooklyn 11231 , New York
Opening Reception: Friday, November 21, 2025, 6:00 PM – 8:00 PM

Left Bank Gallery presents The World That Remains, a group exhibition curated by renowned artist Firelei Báez, exploring resilience, love, and the transformative power of community in an age of uncertainty.

Featuring works by Yolande Heijnen, Ishmael Hunter, Gina Malek, Nicole Maloof, Lorella Paleni, Ruby Perkins, and Moussa Sarr, the exhibition gathers seven distinct voices united by their commitment to examining what sustains us in times of transformation.

Báez brings together artists whose practices interrogate the intersections of identity, place, and collective memory, asking: What endures when everything else falls away? How do we sustain ourselves and each other through acts of care, witness, and creation?

The World That Remains invites viewers to consider not only what survives, but what we carry forward—and what new worlds we might imagine together.

Participating Artists:
Yolande Heijnen | Ishmael Hunter | Gina Malek | Nicole Maloof | Lorella Paleni | Ruby Perkins | Moussa Sarr

Tags Lorella Paleni, exhibition, New York, Brooklyn
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It’s all I got to give today. 

Etray 2, Oil on canvas, 116 x 89 cm
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#theanimalthatthereforeiam #artandtheanimal
I’m very happy to share that my work has been selected for ArtEvol 2026: A View From Everywhere, opening next week at @saatchi_gallery in London.

The exhibition, organised by @londonartcollective_official and curated by Nelson Qin, brings toge
In 1872, an anonymous author writing under the name “An Earnest Englishwoman” published an open letter titled ‘Are Women Animals?’ It was a witty argument against the treatment and status of women in Victorian society, where w
Seekers 9, Oil on canvas, 80 x 80 cm
“Should we not learn the lesson that, for example, the woods, which poets praise as the human being’s loveliest abode, is hardly grasped in its true meaning if we relate it only to ourselves?”

Jakob von Uexküll - A foray into
It’s all I got to give today. 

Etray 2, Oil on canvas, 116 x 89 cm
.
.
.
#theanimalthatthereforeiam #artandtheanimal I’m very happy to share that my work has been selected for ArtEvol 2026: A View From Everywhere, opening next week at @saatchi_gallery in London.

The exhibition, organised by @londonartcollective_official and curated by Nelson Qin, brings toge In 1872, an anonymous author writing under the name “An Earnest Englishwoman” published an open letter titled ‘Are Women Animals?’ It was a witty argument against the treatment and status of women in Victorian society, where w Seekers 9, Oil on canvas, 80 x 80 cm “Should we not learn the lesson that, for example, the woods, which poets praise as the human being’s loveliest abode, is hardly grasped in its true meaning if we relate it only to ourselves?”

Jakob von Uexküll - A foray into

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